BOOKS & PUBLICATIONS

Recently Featured In:

Full-Length Books

• YOU DO NOT HAVE TO BE GOOD, Trio House Press 2020. (Poetry)

Chapbooks

• THE MEMORY DICTIONARY, Ethel Zine and Micro Press, 2023. (Poetry)

• WOMEN’S WORK, Tolsun Books, 2021. (Hybrid; Embroidery/Assemblage)

• LIGHT EXPERIMENTS, Porkbelly Press, 2019. (Visual Poetry)

• THE MARK MY BODY DRAWS IN LIGHT, Finishing Line Press, 2014. (Poetry)

Anthologies

• “Memory Constellation” — Plume, April 2022 (Poetry).

• Three Poems: Disobedient Futures Anthology, Cambridge Writer’s Workshop, 2021 (Poetry).

• Show Us Your Papers Anthology, Main Street Rag, 2020. (Poetry)

• “Smallness” — Poetry 99, December 2017. (Poetry)

• "The Mark My Body Draws in Light" — Blowtorch: Oscar Wilde Center Creative Writing Anthology, May 2015. (Poetry)

• “Caught Between So Many Surfaces” — The Rattling Wall. Narrow Books, May 2011. (Poetry)

• “Into Focus” — Plain China: Best Undergraduate Writing Anthology, April 2010. (Poetry)

book Reviews

• Review/Interview featuring Kelly Grace Thomas — Luna Luna Magazine, October 2021 (Criticism).

• Review/interview featuring Lucia LoTempio, author of Hot with the Bad Things (Alice James Books, 2020) — Tinderbox Poetry Review, April 2021 (Criticism).

• Micro Review of Measurement of Holy by Nadra Mabrouk — Glass Poetry’s October Folio (Criticism).

• Lyric Essentials: Madeleine Barnes Reads Michelle Maher — Sundress Publications Blog, October 2020.

• Review of The Clearing (Milkweed Editions, winner of the Max Rivto Prize) by Allison Adair — Split Lip Magazine, November 2020 (Criticism).

• Review of Tamara H. Madison’s Threed: This Road Not Damascus — Cordella Magazine, July 2020 (Criticism).

• “This Is Not A Dream: Reflections on Atmospheric Embroidery by Meena Alexander”—FENCE, 2019 (Hybrid: Artwork and Criticism).

ACADEMIC PUBLICATIONS

• “Gender-Based Violence in Academic Mentoring Relationships: A Social Justice Issue”, Broken Record: Narratives of Gendered Abuse in Academia (SUNY Press), ed. Mary K. Holland and Carrie Rohman, 2023 (in press).

Public-facing WRITING

• Not A Long Life, But A Happy One: Researching and Cataloging the Letters of Maria Tunno — The Morgan Library & Museum Blog, October 2021.

• Tools of Imagination: History’s Essential Role in Public-Facing Activism, Education, and Archival Work — PublicsLab Blog, May 2021.

• Ghost River: Decolonization through Artistic Representation — Recap and Reflection — PublicsLab Blog, 2020.

• Recap and Reflection: “How to Start Your Successful Mission-Driven Business or Nonprofit” Workshop Series — PublicsLab Blog, 2020.

• “Where are your people?: Cai Emmons in conversation with Madeleine Barnes on Weather Woman” —The Center For The Humanities Blog, 2018.

CREATIVE WRITING Publications

• “Prose Poems: An Anthology” —Edited by Gerry LaFemina (Poetry).

• “Leave Me Alone I’m Busy” — Bone Bouquet, 2022 (Poetry).

• “Vulnerary” — Doubleback Review, April 2021 (Poetry).

• Two Poems — Lost & Found (Poetry).

• Two Poems — Issue 35 of The Brooklyn Review, Print & Digital, June 2020 (Poetry).

• “To the Florist on Saint John’s Place” — Off Assignment, July 2020. (Prose)

• Four Poems — The Brooklyn Review, January 2020. (Poetry)

• “To Charge Forward”—Prelude, January 2020. (Poetry)

• “Diagnosis, “Magical Acts,” and “Clockwork” in The Brooklyn Review, January 2020. (Poetry)

• “Dreamscape With Embryo”—Glass Poetry, November 2019. (Poetry)

• “I See Her Among The Stars”—Poetry Leaves Exhibition and Poetry Leaves bound volume, August 2019. (Poetry)

• “Surround Her With Colors”—PANK Vol. 14.1, June 2019. (Poetry)

• “New York In June” —Pigeon Pages, June 2019. (Poetry)

• “A New Truth”—SWWIM (Supporting Women Writers In Miami), April 2019. (Visual Poetry)

• “Tenderness,” “Projections,” “Interwoven,” “Pollen,” and “Desires”—Rose Quartz Magazine. April 2019. (Visual Art)

• “Women’s Work: Parsnips and Carrots, Candle, and Flogger,” 45th Parallel, April 2019. (Artwork and Criticism) 

• “No One Is Illegal” Protest Embroideries —Boston Accent Lit, September 2018. (Artwork)

• “The Born Lady”—SWWIM (Supporting Women Writers In Miami). May 2018. (Poetry)

• “Fees and Grace”—Crab Fat Magazine, May 2018. (Poetry)

• Six Photographs—The American Literary Review, April 2018. (Photo)

• “Night Work” Broadside — Letterpress Printing & Fine Press Publishing Seminar For Emerging Writers at the Center for Book Arts. January 2018. (Poetry/Art)

• “I Dreamt We Made Music With A Bed Of Rusty Nails And Goldfish” in the Plath Poetry Project July Retrospective, August 2017. (Poetry)

• “Dig” and “Deconstruction”—The Literary Nest, July 2017. (Poetry)

• "Sleep Phase" — Oakland Review Alumni Edition, March 2017. (Poetry)

• Cover Art:"Sole Witness" and "Degrees of Openness" — Cimmaron Review, February 2017. (Photo)

• "Vulnerary" and "Forty Black Ships" — Pittsburgh Poetry Review, October 2016. (Poetry)

• Cover Art: "Layers of Home" — Washington Square Review, October 2016. (Photo)

• Cover Art: Before Snowfall, After Rain by Ariel Francisco, Glass Poetry Press, September 2016. (Photo)

• "On Water" — Cordella Magazine, September 2016. (Prose Poem)

• Featured Artist — Rogue Agent, June 2016. (Photo)

• “Night Work” — The Scores, Scotland, April 2016. (Poetry)

• “Altar”— Featured artist in Microfiction Monday, April 2016. (Photo)

• Cover Art: “The Walk Home” and “Descending Light”— BOXCAR Poetry Journal, April 2016. (Photos)

• “Pelvis” and other photographs — featured artist in Heartbeat Literary Magazine, April 2016. (Photos)

• “Light Experiments” — Stanzas, Limerick, Ireland, March 2016. (Photo Series)

• “The Boab Tree” — The Grief Diaries, February 1, 2016. (Poetry)

• “A Place Without a Person — Cellpoems, January 2016. (Poetry)

• Brooklyn Poets Audio Recording— January 2016. (Poetry)

• “In Harmonium” — Blue Lyra Review, December 2015. (Poetry)

• “Dream Song Six Thousand” — riverSedge, August 2015. (Poetry)

• “The Blue Of It” — Fields Magazine, May 2015. (Poetry)

• “Inside the Metropolis,” “Escalation,” and “One Secret Thing” — YEW Journal, April 2015. (Poetry/Visual Arts Collaboration with artist Jiyoo Jye)

• “Place of Shelter” — Jai-Alia, November 2014. (Poetry)

• “Smallness” — Pleiades, June 2013. (Poetry)

• “Chronology of Lost Things” — Icarus Magazine, January 2013. (Poetry)

• “Drive to the Airport” — Print Oriented Bastards, October 2012. (Poetry)

• “An Ode to My Body” and “Poem Composed in the Alphabet Blades” — The Loyalhanna Review, July 2012. (Poetry)

• “Medicine for Restlessness” and “Inside Letters I Told You Everything” — Oakland Review, April 2012. (Poetry)

• “I Did Not Abandon the Right Things” and “Don’t You” — Voices in the Attic, March 2012. (Poetry)

• “Remembering What the Body Is” and “Psychoanalysis” — Oakland Review, May 2011. (Poetry)

• “Incident on the Tram,” “Forms of Suspension,” “In Order to Survive,” “Follow-Up,” “Stepping Forward” — Three Rivers Review, May 2011. (Poetry)

• “Distinguishing Between” — Girls With Glasses, May 2011. (Poetry)

• “Remembering What the Body Is” — Collision Magazine, April 2011. (Poetry)

• “After-Grace of Trauma,” “Let Me Thank the Body” and “What I Meant” — Weave Magazine, December 2012. (Poetry)

• “What Looking Does to the Light” — Spires: Washington University’s Intercollegiate Arts and Literature Magazine, December 2010. (Poetry)

• “Child Mad Enough,” “Night Runner,” “Side Effects,” “Notes on Mothering,” and “Grasp” — Three Rivers Review Vol. 25, May 2010. (Poetry)

• “Sixteen Birds Escaped the Aviary” — The Albion Review, April 2010. (Poetry)

• “Daughters of the Ghost” — Open Thread, Vol. 2, April 2010. (Poetry)

• “Excavations” and “Belfast, 1941” — The North Central Review, December 2009. (Poetry)

Newspaper Publications

• “The Mark My Body Draws in Light” — Poetry Ireland Review Monthly Newsletter. April 2013. (Poetry)

• “Red” — Pittsburgh City Paper, August 2011. (Poetry)

• “Interview with Philo Ikonya” — Sampsonia Way Magazine, July 2011. (Feature Article)

• “G-20: Pittsburgh, September 2009” — 5AM, March 2010. (Poetry)